The Tomb of the Medici is the Tomb of Lorenzo and Giuliano de' Medici that sits in a chapel adjunct to the Church of San Lorenzo in Florence, Italy.
The tomb is for Lorenzo and Giuliano De'Medici. It has a sarcophagus for each facing each other, an alter facing a sculpture of Mary and child.
The floor is busy with white and dark, blue green marble squares. Above each sarcophagus is a figure of the Medici who is entombed below. Both are twisting to look at Mary and child.
Notice how the head of each seems small for the body.
Giuliano's Tomb facing Mary and Child |
The floor is busy with white and dark, blue green marble squares. Above each sarcophagus is a figure of the Medici who is entombed below. Both are twisting to look at Mary and child.
Notice how the head of each seems small for the body.
Lorenzo De'Medici |
Giuliano De'Medici |
Each sarcophagus has 2 sculptures on each known as Night and Day on Giuliano's and Dawn and Dust on Lorenzo's.
Giuliano's Tomb with Night and Day (male figure on right) |
Look at the face of Day. It's unfinished yet it has an expression of shock not unlike what we all feel as we get up to face the day and the challenges of daily life. The body is tense. Michelangelo did this work in a dark period in his life and in Florence's life and the expression of the challenges of life are in this piece. Look at the tension in the muscles. You can feel his angst.
Lorenzo's Tomb with Dust and Dawn (right female figure |
Day |
There is a lot to distract you, make you look and think. These photos don't do the experience justice. When you walk into the chapel you really feel the emotion of each piece. The muscle tension of Day, the rough and unfinished faces and aspects of each piece, the small heads relative to the body of each Medici figure. It grabs your attention and makes you ask yourself, why? Why did he not finish the figures, why did emphasize the bodies of Medici figures? Michelangelo seems like he is guiding the viewer to look from one feature of the tomb to the next as if it's an order. The edges of floor is what you see first and it seems to lead to Mary and Child which is the absolute focus of the piece.
Mary and Child |
You realize that he is making a statement about life itself. That it's a journal of days and nights where we struggle to get through to the afterlife where existence is complete. The bodies of the figures are incomplete yet the bodies of the Medici figure are complete, detailed, highly polished. Emphasising the bodies of the Medici figures makes the statement that the bodies are done, done with the mortal coil and the Medici's are on to the next world.
Now notice the dome or Capella. This photo doesn't show just how high the space is but notice the simplicity. The calmness in contrast to lower very busy, evocative lower portion naturally draws your eye upward. That's just what he wanted you do, look at the Medici figures, feel that they have completed their lives and through the Grace of God they have now ascended to heaven.
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